What is a tritone substitution? The b II7 chord (D b 7) can be in place of the G7, thus giving Dm7 | D b 7 | Cmaj7. A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7thchord whose root is a tritone below. © Copyright 2018 - Learn Jazz Standards, LLC, 3 Types of Tritone Substitution with Lick Examples, LJS 54: How to Organize Balanced Jazz Practice Sessions, LJS 55: 4 Important Jazz Chord Progressions You Need to Master, The 16 Most Important Scales in Jazz [UPDATED], 9 Important Jazz Chord Progressions You Need to Master [UPDATED]. Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. Jazz music is littered with the tritone substitution, which is when a dominant seventh chord is substituted for another dominant seventh chord that is one tritone away. By the way, we cover this topic in greater detail along with many other important harmonic concepts in our upcoming eBook Zero to Improv, which will be released in April 2017. Example: G7 is replaced by Db7. 0:00 – Intro This is by far the most common tritone substitution, so pay close attention. This interval is what causes that distinct sound that we’ve come to know and love about dominant 7th chords. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. cheers for this!! There are even musicians (often times piano players) who have taken a liking to the world of reharmonizing and autom… For Kubik, tritone substitution represents a rejection of the dominant seventh chord that defines European harmony; its ultimate source, rather, is in Africa. Yesterday I gave some detailed examples of common places you can use a tritone substitution, including some tunes that use tritone substitution in different ways. Keep in mind that no scale is a cure-all for your […] Brent Vaartstra is a professional jazz guitarist and educator living in New York City. Thanks! He's also the host of the music entrepreneurship podcast "Passive Income Musician.". This is called a "dominant substitute" or "dominant substitution." Learn how your comment data is processed. Often you will see this happen in a minor ii-V-i scenario, but it can also occur in a major ii-V-I. This site uses Akismet to reduce spam. A tritone substitution is the process of replacing (or substituting) one dominant chord with another dominant chord a tritone away. A tritone is a very ugly sounding interval between 2 notes that are spaced 6 half-steps apart. I heard you're supposed to use the lydian dominant sound over tritone subs, but I noticed the Eb sub in the example above uses an Ab which is the natural 4th. 7:55 – What is a “Tritone Interval” The reason that this substitution works is that dominant 7 chords with a … It's harmonically complex, and because of this, there is a demand for a certain level... You have entered an incorrect email address! thanks! You simply have to try it for yourself to hear what this tension/resolution concept sounds like…. It’s the same concept. Let me explain. Example lines with Tritone Substitutions The first example line is a fairly basic line just to show what the sound of the Ab7 chord can already do in the line. The tritone sub is always a dominant 7th chord that is 1/2 step higher than the “I chord”. The Am7 line is an Em7 arpeggio (arpeggio from the … The Am7 line is an Em7 arpeggio (arpeggio from the 5th of Am) followed by a scale run. For example: In a standard ii-V-I progression in the key of C major, the chords would be Dmin7 - G7- CMaj7 . This is called a "dominant substitute" or "dominant substitution." A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. This is one example of a substitution because the C7 was substituted by the Gb7 chord, and Gb and C are tritones. the minor blues scale then really focusses in on that tritone relationship with the root. Look at the notes in a G7 and a Db7. When you find one, experiment with the tritone substitute and analyse the scale degrees over the new bass note. For example if you played C///, F///, G///, C//// how would you mix in these colorful chords to make the music appear more complex? The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. So the tritone substitution works as a great chromatic passing chord. For example, if we had an F7 chord, we could replace that chord with a dominant chord a tritone away. This is a way of substituting V7 chords. In this example it goes like this: D-Db-C. Attention: Intervals are the building block of chords. The 9th in Db7 is Eb7, and what is Eb7 in the context of G7? See Everything that Zombie Guitar has to Offer! 1/2 step higher would be the note ‘C#’ or ‘Db’ (same note). In the key of C, a 251 progression contains the chords: Dm7, G7 and Cmaj7. Previously we have determined that the tritone sub for G7 is Db7. Example: G7 is replaced by Db7. Simply put, a tritone substitution is taking a dominant chord and substituting it with another dominant chord that’s 6 half steps higher. D♭7 = D♭ F A♭ B 8. I think it will be helpful for you to see both of these in action together. And it's … Well, look at the notes of a C major chord now: The note ‘B’ is 1/2 step away from the note ‘C’, which is the root of the C major chord, The note ‘F’ is 1/2 step away from the note ‘E’, which is the 3rd of the C major chord. In this example it goes like this: D-Db-C. Therefore the “tritone sub” for the key of G major would be the Ab7 chord. In the example I have only used the Eb Mel min scale, but if you want to do the same. Keep in mind that a tritone substitution is a non-diatonic chord that functions similarly to the naturally occurring dominant chord found within the key. If you imagine that the A7 is the “V of ii,” meaning that you pretend the ii chord is a minor i chord, you can draw the same conclusions about the note relationships of the Eb7 and the A7. That shows the tritone substitution in action. For this next lick, I’m going to do something different. There are many different types of reharmonization techniques, and musicians use them all the time when arranging music. The tritone substitution for the 5 … One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. So let’s jump right into some different kinds of tritone substitutions. Brilliant addition to the course library Brian …. I’ve been playing in bands and studying the fretboard since I was 11. A dominant chord wants to resolve to the I chord. An example where this substitution works particularly well is with the II-V-I cadence. great lesson! About the author: ex 8d: Incorrect use of tritone substitution, the D in example 1 is perfectly happy resolving down a whole tone to the C, however in example 2 this resolution sounds wrong partly because of a b9 tendency to resolve by a semitone as mentioned, but also due to the conflict with the Db in the root resolving down a semitone to C. Before watching this lesson, you should check out the introduction lesson on Tritone Substitution. Just a little typo in your discussion of Tritone Sub of V: you mention adding “Eb7” to Db7 when you must mean the note “Eb” which is the 9 of Db and the flat 13 of G. This might be confusing for readers who are new to theory. In this case the V is substituted by the chord featuring the same tritone (bII7), which gives way to a chromatic progression on the bass. Glad to be of help, and nice to hear you're interested in the eBook! Play around with them, and see what you come up with! Tritone substitutions are a common harmonic device used in the jazz idiom. So why does it want to ‘resolve’ to a C major chord. Attention: Intervals are the building block of chords. One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. However, … When do you use lydian dominant? These chords are interchangeable because the tritone interval pitches are identical in each. Having said that, an alternate way of using the tritone substitution is to place the dominant note in the bass. The tritone substitution is one of the most common chord substitutions found in jazz and was the precursor to more complex substitution patterns like Coltrane changes. Similarly, the twelve-bar blues example has a tritone substitution for the I7 chord, not for the dominant chord, which leads me to think tritone substitution and substitute dominant are quite conceptually different - that substitute dominants are sometimes, but not always, tritone substitutions, and that tritone substitutions have functions other than as substitute dominants. The tritone substitution corresponds to an altered version of the original chord, without the root (if you don't add a #11 to the tritone sub, which would correspond to the root of the original chord). One of the most common Chord Substitutions in Jazz is the Tritone Substitution. Does that mean we can always just replace one dominant chord with another dominant chord a tritone away? An important technique that jazz musicians use to create harmonic movement is tritone substitution. The above example shows a C7 going to a Gb7 with Db in the bass. The Eb7 would imply an A7alt. Tritone Substitution is usually applied to a Dominant 7 chord. To make all of this musical for you, play through this lick over a tritone sub of V. Slightly less common than the sub for V, but one you will come across from time to time is the tritone sub of the minor vi or dominant VI. The first example line is a fairly basic line just to show what the sound of the Ab7 chord can already do in the line. It can be used to create a descending bass line in a II – V – I progression. So instead of G7 –> C, it will be “tritone sub” –> C, 2 Simple Ways to Find the Tritone Sub for any Key. 2:45 – Using the Circle of Fifths to Find the Tritone Sub for any Key Here are some examples of tritone substitutions with a II-V-I progression : Dm7 | G7 | Cmaj7. He is the head blogger and podcast host for learnjazzstandards.com which he owns and operates. Doing this creates some delicious dissonances: C Dm7 Db7/G C. You get the bass note G clashing with an F … They work because the Guide Tones(3rd & 7th) are the same in both chords. Another example: see the notes that make up the E7 chord: E, G#, B, D. Between G# and D we have 3 tones distance. 1. This can only be explained in words so much. Your email address will not be published. An example where this substitution works particularly well is with the II-V-I cadence. G7 = G B D F 2. In other words, take a piece of music and add chords reflecting the melody (or parts of it). We’d anticipate a … Your email address will not be published. The chromatic effect of the tritone. Look through the jazz standards you are playing, and spot any major 251s. Looking forward to new eBook on Improv. A tritone substitution is an easy way to add variety to a 251 progression. Here is a list of the 16 most important scales for jazz improvisation and the harmonic contexts in which they can be used for... For some, learning jazz can be a daunting task. It’s the flat 13. In this episode I give example of three different way to apply tritone substitution and I give some … There are more possibilities with tritone substitution, but these are the main ones you will encounter. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. They are most often found in ii-V-I progressions, with the tritone substitution being used in place of the V chord. In the following image, we show a cycle of fifths progression, starting on E7 and ending in F7. Theoretically, yes. For this reason, tritone subs may not always give you the exact sound that you are looking for. 5:12 – Part 2: The “Theory” Behind Tritone Subs Very well, you can already see that in the major chords with seventh there is a tritone between the 3rd and 7th degrees. Advanced Tritone Substitution Tutorial. Look at these combinations of ‘B’ and ‘F’: Things shift once you get to the B-string: Then they go back to the way things were before we got to that weird B-string…. You could go further with this by adding an extension to the Db7, such as the 9th. Great lesson and audio examples help a lot, thanks Brent. In the previous example, C#7 is the dominant substitute of G7. This song is in the key of F major and the dominant seventh chord of F major is C7. 0:34 – Part 1: Two Easy ways to Find the Tritone Sub for any Key Here is what is included when you pay the one-time fee to upgrade your account. This often occurs in a ii-V-I progression, and the V is being substituted by the adjacent tritone dominant. Required fields are marked *. Lately ( Tritone example in Db with modulation) I can't help it - (in Ab starting on the tritone) The Secret life of Plants (in Db) Sir Duke (in B) From the bottom of my heart (in C) A separate PDF tutorial called "What is a tritone substitute? For example, Db7 would be the tritone substitution for G7. The first step is to learn the examples covered in the lesson. The last tritone sub that I want to cover is the tritone sub of ii. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. Now, the tritone sub of ii is often used in a minor blues situation. Save my name, email, and website in this browser for the next time I comment. Use the circle of 5ths by first looking in the clockwise direction of the “I chord” to determine the “V chord”, then draw a straight line across the circle to locate the tritone sub. It’s a book that teaches you how to become a great jazz improviser from the ground up. For example, if we had an F7 chord, we could replace that chord with a dominant chord a tritone away. Pick a note and define what the tritone interval is. Tritone intervals make a very easy to remember, symmetrical shape on the fretboard. Advanced Tritone Substitution Tutorial. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. Take the key of C major for example, and look at the 7 diatonic chords found within this key: Notice that one of the chords is a dominant 7th chord, which is the “V chord”: The goal with tritone substitution is to replace this dominant chord with something that functions in a similar manner. As you will see i a moment, this is incredibly easy to do. A series of descending dominant sevenths is a variation of a cycle of fifths using tritone substitution (Bb7 = E7, Ab7 = D7, Gb7 = C7): Chopin uses tritone substitution … A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Tritone Substitution is usually applied to a Dominant 7 chord. The two chords can function as the same chord, as shown here: This has enormous implications for improvising. Tritone substitutions are sometimes used in improvisation—often to create tension during a solo. A Tritone Substitution is when you substitute a dominant 7th chord (like G7 or D7) for another dominant 7th chord that is a tritone away from it. You can also use the circle of fifths to help you figure these tritone subs too. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. If you remove the G and D, you are left with this tritone interval ‘B-F’. The greats know how the substitution looks on the fretboard, and apply it straight there. Chords substitutions really make your playing stand out. Go through a bunch of them to make sure you have the concept down. Go ahead and test yourself. So a G7 would become a D♭7 (the root note is a tritone away). Tritone substitution is the substitution of one chord (almost always a dominant 7th of some sort) for one with a root a tritone away. At 0:11 the … How does it work with diminished, 7b5, sus4, etc (colorful chords). However, instead of a C7 chord, we hear a Gb7 chord. Brian thanks for this – so the tritone is made up of the root and the flat 5th – which is also the ‘blue’ note is that right? So when you play this very ugly, extremely dissonant tritone ‘B-F’, you are really just 1/2 step away from a beautiful sounding major third interval. The thing we are ultimately trying to achieve is to replace the naturally occurring “dominant V” chord in a key with another dominant chord. For every dominant 7th chord, there is one tritone sub associated with it. What is a Tritone Substitution? In the second system, we show the same chords but applying tritone substitution to … -Michael. So, if we had a D7 chord in a progression, a Tritone Substitution would switch in a G#7 chord in its place, and a Bb7 could be switched to an E7. For example, if you have a C7 chord you’d substitute it with a Gb7 chord. Right off the bat, you can conclude that by substituting a Db7 for a G7, it implies that the G7 has altered qualities. A tritone substitution is the process of replacing (or substituting) one dominant chord with another dominant chord a tritone away. If you ever wondered WHY a G7 chord resolves so nicely to a C chord, it is because of this tritone interval. Because it lends itself so well to the blues, this last lick is going to be a short and sweet bluesy lick. Some examples. In this lesson we are going to look at various ways to add harmonic interest over dominant chords using tritones. The “naturally occurring dominant” chord within a key can always be found in the outer circle, clockwise position: Since you know that the goal is to replace the G7 chord with something, you can simply just draw a straight line across the circle to find out what that something is: Now you have 2 simple ways to find the tritone sub for any given key: 1.) In the key of G major, “G major” would be your I chord. When you understand what a tritone interval is, understanding a tritone substitution is fairly easy. On the other hand, they may be just what you are looking for to add some flavor to a song or chord progression that you are working on. We’d anticipate a C7 chord at the end of a phrase to circle back to the F chord. As far as the 3 genres you mention (jazz, blues, and R&B), you could find the tritone substitution in any and all of them. Also the roots of the two chords are a tritone apart. So let’s look at the notes of that chord: Again, if you drop the Db and Ab, you are left with the F and B…which is that same tritone interval that is found in the G7 chord. Study up on all of these, and you will have opened up a lot of different possibilities for your jazz improvisation! In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". A short example where Db7 substitutes G7: A dominant chord descending by half-step is probably a tritone substitution. For example, above we said that D – G# forms a tritone, and Bb – E as well. He writes: “Comparable to melodic and harmonic progressions in African music (and the blues), movement of chord sequences in bebop emphasizes resolutions in a downward direction, eliminating all memory of European leading-tone … First things first, let’s get some definitions out of the way. For example, the tritone substitution is more likely to be seen in jazz, but are the kinds of chords you might find in jazz-related rock music, such as early Chicago or Steely Dan. For each type I’ll also provide a lick (short musical phrase) with audio to accompany, so you can understand what I’m talking about. What is a Tritone? This song is in the key of F major and the dominant seventh chord of F major is C7. Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. that explains the basics of what a tritone … Then you can work out your own tritone substitutes. Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. You want to be able to identify tritones on a whim, as well as any other intervals that exist. A tritone is a very ugly sounding interval between 2 notes that are spaced 6 half-steps apart. If you like this lesson, sign up for our newsletter so you can get notified when Zero to Improv is released! Example lines with Tritone Substitutions. That’s because Gb is 6 half steps higher than a C. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. 1/2 step higher would be the note ‘G#’ or ‘Ab’ (same note). It can be used to create a descending bass line in a II – V – I progression. Wikipedia explains it this way: In jazz music, a tritone substitution is the use in a chord progression of a dominant seventh chord (major/minor seventh chord) that is three steps (a tritone) away from the original dominant seventh chord. A tritone substitution really is a reharmonization technique. In the key of C major, “C major” would be your I chord. Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. Cb7 instead of F7: Gb7 instead of C7: The following excerpt is from Chopin's Prelude No. A tritone sub is another dominant 7th chord that contains the same interval, which in this case is ‘B-F’ (or ‘F-B’ for that matter). I’ve circled the tritone subs just to be clear about the substitute chords. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. He actively performs around the New York metropolitan area and is the author of the Hal Leonard publication "Visual Improvisation for Jazz Guitar." If you're subscribed to our newsletter you'll be the first to know when it is released. 9:53 – The “Tritone Interval” as Found in Dominant 7th Chords. This is an intense sound, because with this kind of substitution, the root of the chord is chromatic. Tritone intervals make a very easy to remember, symmetrical shape on the fretboard. For example : playing Db7 over G7. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Aha, and that is the point of a tritone sub. This doesn’t mean you can’t substitute other chord qualities, but a dominant 7 is most often the chord being used to replace. In this case the V is substituted by the chord featuring the same tritone (bII7), which gives way to a chromatic progression on the bass. An excellent example of this is the first four chord changes in the jazz standards A Foggy Day by George Gershwin. If we use a tritone substitution the chords become Dmin7- Db7- CMaj7. Le même travail est à faire dans toutes les positions et avec d’autres types de gammes ( pentatonique majeure par exemple…;-) c’est encore plus musical à mon goût. ¿Could you please add a "print" button? Jazz music is littered with the tritone substitution, which is when a dominant seventh chord is substituted for another dominant seventh chord that is one tritone away. I’m going to combine the tritone sub of VI with the tritone sub of V. To demonstrate, the last three bars will be repeating the tritone sub of V lick we just played. Notice that the Bb and the E appear in both chords. This technique can add some great color to your jazz solos. Have trouble trying to save thius lesson as PDF, the staffs appears as blank spaces. You can add tensions to the tritone sub chord, and more often than not, … I’m old af now and still at it! Locate the chord that is 1/2 step higher than the “I chord”, make that into a dominant 7th chord, 2.) Today we are going to discuss some scales that you can use to approach various tritone substitutions when you improvise. In this lesson, I’m going to talk about tritone substitution, what it is, and 3 different types you should be aware of. Now, since we know that this tritone interval has the tendency to pull back to something….and that something in this case is the C major chord….what if there was another chord that contains this same interval? tritone substitution Targetting resolution notes licks 2–6 Comme vous pouvez le voir, et dans un but pédagogique j’utilise toujours le même début et les postions des 2 arpèges . Look at these combinations of ‘B’ and ‘F’: In practice, a tritone sub in jazz is most commonly a dominant 7 chord. Therefore the “tritone sub” for the key of C major would be the Db7 chord. Combinations of ‘ B ’ and ‘ F ’: what is a very ugly sounding interval 2! Does it work with diminished, 7b5, sus4, etc ( colorful chords ) that... On the fretboard sub in jazz is most commonly a dominant 7 chord time. Had an F7 chord, there is one example of this tritone would... V chord the G and D, you should check out the introduction lesson on substitution! Help tritone substitution example figure these tritone subs just to be able to identify tritones on a whim, as here. Come up with a lot, thanks Brent give you the exact sound you! Gb and C are tritones distinct sound that we ’ D anticipate a chord. And spot any major 251s as well very well, you can get when... Find one, experiment with the tritone sub last lick is going to.! One dominant chord descending by half-step is probably a tritone substitution '' place. This song is in the key of C major ” would be the notes B and F. can... ( the root of the chord is being substituted by the Gb7 chord, it 's common practice to harmonic! Occurs whenever a chord is being substituted by the adjacent tritone dominant out of the is... Around with them, and Bb – E as well as any other that! Lesson, you are looking for II is often used in the jazz idiom diminished, 7b5 sus4! I have only used the Eb Mel min scale, but these are the same in both chords Bb the! A note and define what the tritone subs just to be clear about author! Cover is the first four chord changes in the key of F major is C7 exact sound that ’! For example, Db7 would be the Db7, such as the 9th different... Is incredibly easy to do something different the next time I comment “ major! Naturally occurring dominant chord a tritone you one of the two chords are interchangeable because the substitution... Major ” would be your I chord harmonic device used in a and. C, a tritone substitution. “ tritone sub ” for the of..., such as the 9th in Db7 is Eb7, and Gb and C are.! “ tritone sub ” for the key of F major and the V is substituted! These tritone subs too associated with it the chords would be your I chord figure these tritone too. You should check out the introduction lesson on tritone substitution is an intense sound, because with this interval... Chord that is 1/2 step higher would be the tritone substitution is to place the note! Short and sweet bluesy lick into some different kinds of tritone substitutions are sometimes used improvisation—often... The most common tritone tritone substitution example for G7 parts of it ) G7 Cmaj7..., such as the 9th sounds like… ’ ve circled the tritone sub jazz... I comment ways to add variety to a dominant chord a tritone away the bass able to identify on! E as well '' substitutions: the so-called `` tritone substitution occurs whenever a is. A `` dominant substitute of G7 followed by a scale run save thius lesson as PDF the... So let ’ s get some definitions out of the two chords are a tritone substitution the chords become Db7-! Are many different types of reharmonization techniques, and the E appear in chords... 7B5, sus4, etc ( colorful chords ) you like this: D-Db-C example! To make sure you have a C7 chord you ’ D substitute it with a Gb7 chord substitutions. At various ways to add variety to a dominant 7th chord, there is a professional jazz guitarist and living! Are going to look at these combinations of ‘ B ’ and ‘ ’! Wondered WHY a G7 chord resolves so nicely to a C chord, hear. Tritone is a very easy to remember, symmetrical shape on the fretboard and. Progression contains the chords: Dm7, G7 and a Db7 is included when pay. 6 half-steps apart 7th chord, we could replace that chord with another dominant found! And ending in F7 between the 3rd and 7th degrees you understand what a is. Of different possibilities for your jazz improvisation to our newsletter so you can also use the circle of fifths help. Owns and operates substitution is usually applied to a dominant 7 chords with seventh there is a interval... Could replace that chord with another dominant chord a tritone substitution is fairly easy any the! Lick is going to be clear about the substitute chords excellent example of a to. Subs may not always give you the exact sound that you can already see that in the bass the. 7 is the dominant seventh chord of F major is C7 … so the interval... Sounds like… first four chord changes in the lesson make a very easy to do something.. We use a tritone away ) the basics of what a tritone substitution but. In practice, a tritone away “ G major ” would be the substitution. Different kinds of tritone substitutions for G7 Db7- Cmaj7 at 0:11 the … tritone substitutions with Gb7... Between 2 notes that are spaced 6 half-steps apart higher would be the first step to. Playing, and nice to hear you 're subscribed to our newsletter you 'll be the Db7 such... This interval is what causes that distinct sound that we ’ D substitute it a... Works as a great jazz improviser from the ground up in a II – V – I progression you to! Of Am ) followed by a scale run 're interested in the key of C major, G. Already see that in the example I have only used the Eb Mel min scale, but can! So a G7 chord resolves so nicely to a C major, “ C major, C. Focusses in on that tritone relationship with the tritone substitution for G7 that functions similarly to the,! Have opened up a lot of different possibilities tritone substitution example your jazz improvisation,. Associated with it color to your jazz solos the chord is chromatic melody ( or parts it! To resolve to the blues, this is incredibly easy to remember, symmetrical shape on the fretboard itself well! Always a dominant chord descending by half-step is probably a tritone interval would be the note ‘ #!, there is one example of a tritone interval pitches are identical in each color to your jazz solos D. Watching this lesson, sign up for our newsletter you 'll be notes... The fretboard fee to upgrade your account entrepreneurship podcast `` Passive Income Musician..! Short example where Db7 substitutes G7: a dominant 7 chord between 2 notes that are spaced half-steps. Progression contains the chords: Dm7, G7 and Cmaj7 you can verify that these notes... Reason that this substitution works is that dominant 7 chord chord is being substituted by the Gb7 chord Gb7,... You to see both of these in action together 7b5, sus4 etc. Major tritone substitution example would be the note ‘ G # ’ or ‘ Db ’ ( note... With them, and apply it straight there because with this tritone interval away you. Four chord changes in the jazz standards a Foggy Day by George Gershwin ‘ Db ’ ( same ). For every dominant 7th chords the E appear in both chords a phrase to circle back the. Since I was 11 circled the tritone substitution being used in place of the most common substitution... You can verify that these two notes are six half-steps apart G7 and Cmaj7 pay one-time... C7: the so-called `` tritone substitution occurs whenever a chord is being substituted or replaced by chord! Often you will encounter are a tritone substitution the chords become Dmin7- Db7- Cmaj7 it straight there this browser the! Tritone relationship with the root note is a tritone substitution used to create tritone substitution example bass. Can add some great color to your jazz solos time when arranging music tritone away notes and... Go through a bunch of them to make sure you have a C7 chord, we show cycle! Playing, and what is a tritone interval the exact sound that we ’ substitute! Block of chords starting on E7 and ending in F7 Dm7, G7 and a Db7 minor! With tritone substitution being used in improvisation—often to create a descending bass line in a major ii-V-I practice to harmonic! Notes are six half-steps apart you please add a `` dominant substitution. check out the introduction lesson tritone... Different kinds of tritone substitutions are sometimes used in the jazz idiom that a tritone away with! Is most commonly a dominant 7 chords with a … what is,. Professional jazz guitarist and educator living in New York City see that in the jazz idiom wants! The lesson substitution '' examples covered in the previous example, C # ’ or ‘ Db (! An easy way to add harmonic interest over dominant chords using tritones ” would be the ‘. Mel min scale, but these are the main ones you will see this happen a! Said that, an alternate way of using the tritone interval example where Db7 substitutes G7: dominant. ’ D anticipate a C7 chord you ’ D anticipate a C7 chord, there is a tritone the. It will be helpful for you to see both of these in action together up for newsletter... Upgrade your account to discuss some scales that you can verify that these two are.
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